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Film, Gender Socialization and Stereotype

Film, Gender Socialization and Stereotype

In the age of advanced technology like the one we live in, the role of media in gender socialization is undisputable. Film as an aspect of media has been transformed greatly and therefore there is also need to narrow down the examination to the constituent aspects of media and examine their role with respect to gender socialization and stereotyping.

War films mostly endorse violence as something natural and gallant for the male characters. In such films, women are mostly presented as whores, nurturers, mothers or chattels (Holtzman 2000). Where soldiers are involved in the films, they are men with stoic endurance and not given to many words. This kind of setup leads to perpetual stereotyping where men are associated with staid character while women are presented as objects of exchange for men who win in the drama. Films again do not associate intimacy with men’s relationships unless such a relationship involves a woman or is directed towards a female.

In relation to gender socialization, films present intimacy between men characters in a way that motivates homophobic reactions. Generally, gays are a symbol of the intertwined relationship between heterosexuality and homosexuality. Gay characters are not so common and if they feature, they are hardly ever depicted enjoying their lives happily. For instance, in Dynasty, Steven’s lovers get killed (Chandler 2009). Film stories that relate to gay tend to emphasize conformist values. This kind of portrayal reinforces gender stereotyping.

Traditional film productions portrayed stereotypical representation of gender roles. However, this trend has been changing slowly. In the recent past there have been campaigns that discourage stereotypical depiction of gender roles. Films also take this into account and therefore there has been a balanced representation in the roles and males and female characters (Holtzman 2000).

(Note: Client had requested 11 point font, MLA with 2 sources and at least 2 in-text citations)

Works Cited:

Holtzman L. “Media messages: what film, television, and popular music teach us about race, class, gender, and sexual orientation” M.E. Sharpe, 2000: 82- 85

Chandler, D. “Television and Gender Roles” Accessed online on Tuesday, November 17, 2009 http://www.aber.ac.uk/media/Modules/TF33120/gendertv.html#E

Father Michael Pfleger is a famous priest from the Archdiocese of Chicago

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Chi-Raq

Father Michael Pfleger is a famous priest from the Archdiocese of Chicago. He is a vocal advocate for gun reforms, and John’s Cusack’s character in Spike Lee’s ‘Chi-Raq’ is based on Father Pfleger’s character. Chicago has one of the highest rates of homicides and mass shootings in the country, and Father Pfleger has been quite vocal about the issue for many years. Chi-Raq illustrates the problem of gun violence in the city. Spike Lee, the director of the film, faced a lot of opposition from the city leadership because they worried that the film would depict the city in a bad light and affect tourism. Father Pfleger has been involved in many projects in Chicago, including advocating for gun violence such as universal background checks, titling of guns, and a ban on assault weapons (York 37). He is also involved in other social programs like that help families of victims of gun violence.

I agree with Father Pfleger’s points on gun reforms. With the increasing number of mass shootings in the country, there needs to be urgent action to prevent further loss of lives. The best way to address the gun violence problem in the movie is to encourage community-based efforts of awareness, as John Cusack does (York 54). Additionally, the governments at both state and federal levels should implement common-sense gun laws that would reduce the number of guns on the streets. The gun culture in the Chicago neighborhoods shown in the film shows guns as a normal part of life, but people should be made aware of the pain and suffering that it causes. The police should also be trained on the best way to handle cases because there has been an increase in cases of police shootings. Gun violence is a national issue, and efforts at gun reforms must be implemented throughout the country for them to be effective .

Works Cited

York, Lorraine. “Inviting the Shadow to the Party: John Cusack and the Politics ofReluctance.” Reluctant Celebrity. Palgrave Macmillan, Cham, 2018. 27-66.

Film Short Questions and Answers

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Film Short Questions and Answers

Question AFilm started in Cuba at the beginning of the 20th century. Before the Cuban Revolution of 1959, around 80 full-length movies were created in Cuba. The vast majority of these films were melodramas. Taking after the transformation, Cuba entered what is viewed as the “Brilliant age” of the Cuban silver screen. The global co-generation of movies has ended up critical for the film of Cuba furthermore for whatever remains of Latin America. A universally co-delivered film is one in which two or more generation organizations from distinctive nations are included, or the financing has been sourced from more than one nation. Co-preparations are getting to be progressively regular today yet even as ahead of schedule as 1948 were normal in the middle of Cuba and Mexico.Universal co-creations started to take off in the 1960s and 1970s, numerous with the point of expanding political mindfulness and highlighting regular issues in Latin American countries. Before its disintegration, the USSR likewise assumed a part of co-creating movies in Cuba, for example, Mikhail Kalatozov is I Am Cuba. The expanded significance of co-created movies was inexorable because of globalization, and on account of Cuba particularly, because of an absence of financial assets. A film made with the participation of two or more nations almost consistently ensured dispersion in both countries, bringing about a more noteworthy gathering of people and expanded incomes. It likewise considered more presentation of local films.Question BFilm of Argentina alludes to the film business situated in Argentina. The Argentine film includes the craft of film and inventive motion pictures made inside the country of Argentina or by Argentine producers abroad. The Argentine film industry has truly been one of the three most grown in Latin American silver screen, alongside those created in Mexico and Brazil. Throughout the 20th century, film creation in Argentina, bolstered by the State. As well as by the work led to a not insignificant rundown of executives and performing artists, turned into one of the real film commercial enterprises in the Spanish-talking world.The film industry in Argentina came to a zenith in the late 1930s and 1940s when an ordinary of forty-two movies were delivered yearly. The films typically included tango, however notwithstanding when a tango topic was discarded most silver screen from this period still included humble saints and well off villains. In these movies, it depicted diligent work and neediness as praising and portrayed the poor as the essential recipients of Juan Perón’s monetary strategies. These films were seen as a significant aspect of the political motivation of persons. By supporting a film industry that assaulted insatiability and upheld the working people, Perón had the capacity impact the disposition of his voting public to construct open bid.Question CRita MorenoRita Moreno has had a flourishing acting profession for most of the six decades. One of the not very many (and first) entertainers to win an Oscar, an Emmy, a Tony and a Grammy, she was conceived Rosita Dolores Alverío in Humacao. Puerto Rico, on December 11, 1931, to sewer Rosa María (Marcano) and rancher Francisco José “Paco” Alverío.Anthony QuinnAnthony Quinn was conceived Antonio Rudolfo Oaxaca Quinn on April 21, 1915, in Chihuahua, Mexico, to Manuela (Oaxaca) and Francisco Quinn, who turned into a collaborator cameraman at an LA film studio. His fatherly granddad was Irish, and whatever is left of his family was Mexican. In the wake of beginning life in amazingly unassuming circumstances in MexicoJavier BardemJavier Bardem is the most youthful individual from a group of performers that has been making movies since the beginning of the Spanish silver screen. He was conceived in Las Palmas de Gran Canaria, Spain, to performing artist Pilar Bardem (María del Pilar Bardem Muñoz) and businessperson José Carlos Encinas Doussinague.Recording TechniquesWhen a character is onscreen in a film, his size inside the casing figures out what kind of shot is being utilized. For instance, a “long shot” includes his whole body during a “medium shot” is from the waist up. Diverse shots have distinctive consequences for the group of onlookers. For instance, a closeup -one in which the group of observers may see a character’s face filling the casing -is considerably cozier. It permits the crowd to join with the character on a more individual level than if he were off out there.Just as essential as the material an executive movies is the way he alters it together. Long takes -shots that don’t remove for much time -can be utilized to raise pressure or build authenticity, while scenes with short, quickly altered shots may pass on quick paced activity.Filmmakers depend on innumerable different methods in their specialty. Just as the cameraman were recording, something happening. The Sound is another element -one strategy is to control what the group of onlookers sees as “diegetic” sound. A diegetic sound will be the sound that originates from the universe of the film -something that the characters could listen, similar to an auto horn or dialog. The non-diabetic sound incorporates portrayal or the soundtrack -the movie producer may utilize your desires and suppositions of what is diabetic to astonish you.Question DOpen doors for Hispanic Americans (i.e. those individuals who are or have a family set of relatives from Mexico, Spain, or other Latin American. In addition its difficulties, confronting individuals with other racial or ethnic characters who work in the business, behind or before the film came. Verifiably, performing artists or performers of a Hispanic set of relatives frequently looked for some employment inside individual cliché parts, which regularly reflected more extensive social mentality and social inclinations.Latino men were usually delineated as being profoundly forceful Furthermore with low levels of enthusiastic development, i.e. lawbreakers, low-life hooligans or the exceptionally energetic, even fierce, adoration enthusiasm of the featuring character. Latino ladies, Latinas, were comparable depicted when it went to their sexuality, however whereas Latino men could be in a position of power, though inside and against social. In addition to, criminal setting, Latinas were frequently characters with substantially less power, for example, housemaids, household hirelings or even whores. Even without the utilization of these generalizations, it advertised to a Latino gathering of people. Behind the cam, it is still troublesome for a Latino filmmaker, executive, screenwriter or cinematographer to have standard business achievement.