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Guitar Instrument
One of the oldest instruments known to man is the guitar. In one form or another, it is mentioned as being popular in ancient times of Persia, in many Middle Eastern countries and Rome. Credit for the real progress and development of this instrument lies entirely on the concerts, recital halls and with ordinary people who adopted it as a convenient and lively accompaniment to their folk music (Noad, p. 2). Most of the greatest players were either Spanish or Italian. Their performances were often received with great passion in other countries, where they often inspired or revived a tremendous local interest. A good example is afforded by the life of Fernando Sor, one of the greatest performers of the past. The guitar has been adapted structurally for specific uses. The Spanish six-string guitar, for example, is the most expressive and adaptable of all types. It is also the most advanced in terms of construction and technique.
Different guitar manufacturers produce different models of the instrument that often sound quite different. One of the best guitar models manufactured to date is the acoustic guitar. Acoustic guitars have a long life span, and designs have changed only slightly over the decades. Popular guitar manufacturers in the United States, according to Noonan (p. 20), comprise the Gibson Company and the CF Martin Company. The two companies specialise in the manufacture of flat-top guitars designed specifically for steel strings.
Brasch stated that Music is a form of art common among all cultures. Music helps people communicate ideas or emotions (35). There are many kinds of music played using different models of the guitar that suit different occasions at the same time appeal to a wide range of audience. Throughout the ‘world music’ peripheries, songwriters are generally performers working through a mixture of oral and studio techniques, either relatively alone, as a singer or in bands and more or less complex collaborations (Shepherd, p. 208).
Some of the most famous and professional guitarists include the renowned great legend of reggae music Bob Marley, acoustic sensation Indiana Arie and Australian finger wiz Tommy Emmanuel whose songs are visited repeatedly for insight, understanding, daily reflection and inspiration.
According to Scott, one final and important development in the evolution of the guitar is the increasing attention given by composers to write. Guitar composers often wrote increasingly complex and extended compositions. The twentieth century has been a flood of original guitar music in every compositional style and genre, as well as transcriptions of compositions by both minor and major composers from all periods (194). Some of the famous and successful guitar composers of the twenty first century include Eric Clapton famous for rock and roll songs and Carlos Santana known for jazz fusion, guitarprotege.com.
Famous pieces that have been composed, written and performed using guitars include Andrea Lauren Brown. She has a number of triumphant recordings to her credit, naxos.com. Another famous piece written and performed using the guitar is ‘Ordinary People’ by Johnny Legend available at johnlegend.com.
Orchestras have always been used to entertain guests. In many places, especially provincial theatres, small and incomplete orchestras are to be found. Famous in this category includes Madonna’s ‘Like A Prayer’ available at fororchestra.com. Another famous orchestra is Duke Ellington known for his metropolitan opera house available in itunes.apple.com
Work cited
Brasch, Nicholas. Folk, Country and Reggae. Black Rabbit Books, 2004.
Noad, Fredrick. Playing the Guitar: A Self-Instruction Guide to Technique and Theory. Music Sales Group, 2000.
Noonan, Jeffrey. The guitar in America. 2008
Shepherd, John. Continuun encyclopedia of popular music of the world: Performance and production. Continuum International Publishing Group, 2003.
HYPERLINK “http://www.acousticguitar.com” www.acousticguitar.com
HYPERLINK “http://www.fororchestra.com” www.fororchestra.com
http// www.itunes.apple.com
HYPERLINK “http://www.guitarprotege.com” www.guitarprotege.com
www.johnlegend.com
HYPERLINK “http://www.naxos.com” t “_blank” www.naxos.com
Guilty knowledge and willfulness. Mens Rea
Table of Contents
TOC o “1-3” h z u HYPERLINK l “_Toc406687314” MENS REA PAGEREF _Toc406687314 h 1
HYPERLINK l “_Toc406687315” NEED TO ESTABLISH MENS REA IN ORDER TO SECURE A CONVICTION PAGEREF _Toc406687315 h 1
HYPERLINK l “_Toc406687316” Intention PAGEREF _Toc406687316 h 1
HYPERLINK l “_Toc406687317” Intention Based On Foresight of Consequences PAGEREF _Toc406687317 h 1
HYPERLINK l “_Toc406687318” Recklessness PAGEREF _Toc406687318 h 2
HYPERLINK l “_Toc406687319” Negligence PAGEREF _Toc406687319 h 2
HYPERLINK l “_Toc406687320” ASSESSMENT OF CULPABILITY PAGEREF _Toc406687320 h 3
HYPERLINK l “_Toc406687321” ACTUS REUS: OMISSION & CAUSATION PAGEREF _Toc406687321 h 4
HYPERLINK l “_Toc406687322” ACTUS REUS PAGEREF _Toc406687322 h 5
HYPERLINK l “_Toc406687323” OMISSIONS IN CRIMES PAGEREF _Toc406687323 h 5
HYPERLINK l “_Toc406687324” CAUSATION IN CRIMES PAGEREF _Toc406687324 h 8
HYPERLINK l “_Toc406687325” CAUSATION AND NEGLIGENCE PAGEREF _Toc406687325 h 9
HYPERLINK l “_Toc406687326” MINIMAL CAUSATION PAGEREF _Toc406687326 h 10
HYPERLINK l “_Toc406687327” CONCLUSION PAGEREF _Toc406687327 h 11
HYPERLINK l “_Toc406687328” References PAGEREF _Toc406687328 h 13
MENS REAMens Rea is described as “A guilty mind; a guilty or wrongful purpose; a criminal intent; Guilty knowledge and willfulness”. In criminal law it is the basic principle that a crime consists of a mental element and a physical element. A person’s awareness of the fact that his or her conduct is criminal is the mental element, and actus reus’ (the act itself) is the physical element. The concept of Mens Rea started its development in the 1600s in England when judges started to say that an act alone could not create criminality unless it was adjunct with a guilty state of mind. The degree for a particular common law crime varied for Mens Rea. Murder required a malicious state of mind, whereas larceny required a felonious state of mind. Mens Rea is generally used along with the words general intent, however this creates confusion since general intent is used to describe criminal liability when a defendant does not intend to bring about a particular result. On the other hand specific intent describes a particular state of mind above and beyond what is generally required.
NEED TO ESTABLISH MENS REA IN ORDER TO SECURE A CONVICTIONTo secure a conviction, the prosecution side must prove that the defendant committed the crime while in a certain state of mind. The definition is specified of every crime before a person can be convicted as a prerequisite for Mens Rea. There are three states of mind which constitute the necessary Mens Rea for a criminal offence. These are intention, recklessness and negligence and are described below.
IntentionDirect intent is the normal situation where the consequences of a person’s actions are desired. Oblique intent comes in the situation where the consequence is known by the defendant as virtually certain, although it is not desired for its own sake, and the defendant goes ahead with his actions anyway.
Intention Based On Foresight of ConsequencesThe law states that foresight of consequences can only be evidence of intention if the accused knew that those consequences would definitely happen. Therefore just a possibility of a particular occurrence is not sufficient. To clarify the jury’s comprehension, Section 8 of the Criminal Justice Act 1967 deals with how intention or foresight must be proved, provides: “A court or jury in determining whether a person has committed an offence, (a) shall not be bound in law to infer that he intended or foresaw a result of his actions by reason only of its being a natural and probable consequence of those actions; but (b) shall decide whether he did intend or foresee that result by reference to all the evidence drawing such inferences from the evidence as appear proper in the circumstances. Consequently, where foresight needs to be established a person is not to be taken as intending the natural and probable consequences of his act simply because they were natural and probable, although a jury may infer that from looking at all the evidence. The test is therefore subjective and a jury is to decide what the defendant’s intention was from considering all the evidence.”
RecklessnessRecklessness is taking an unjustified risk. In most cases, there is clear subjective evidence that the accused predicted but did not desire the particular outcome. When the accused committed the act, the risk of causing the given loss or damage was taken. There is always some degree of intention included with recklessness. The law says – Clause 18(c) of the DCCB proposes a ‘subjectivist’ formulation for the concept of recklessness: “… a person acts- (c) ‘recklessly’ with respect to – (i) a circumstance when he is aware of a risk that it exists or will exist; (ii) a result when he is aware of a risk that it will occur; and it is, in the circumstances known to him, unreasonable to take the risk”
NegligenceNegligence means falling below the standard of the ordinary reasonable person. This test is objective and is based on the hypothetical person involving the defendant either doing something the reasonable person would not do, or not doing something which the reasonable person would do. It doesn’t matter whether the defendant was unaware that something dangerous might happen, if the “reasonable person” would have realised the risk, and taken steps to avoid it.The law says – The leading statement to describe ‘criminal negligence’ at common law for the purposes of establishing a test for manslaughter in English law, may be found in the statement by Lord Hewart CJ in the case of R v Bateman (1925) 28 Cox’s Crim Cas 33: “In explaining to juries the test which they should apply to determine whether the negligence, in the particular case, amounted or did not amount to a crime, judges have used many epithets, such as ‘culpable’, ‘criminal’, ‘gross’, ‘wicked’, ‘clear’, ‘complete’. But, whatever epithet be used and whether an epithet be used or not, in order to establish criminal liability the facts must be such that, in the opinion of the jury, the negligence of the accused went beyond a mere matter of compensation between subjects and showed such disregard for the life and safety of others as to amount to a crime against the State and conduct deserving punishment.”
ASSESSMENT OF CULPABILITY
From the discussion above it can be fairly seen that objectivity is required in most cases due to the confusing nature of the cases. The cases are judged through any of the three tests discussed below. [5] Subjective Test: The court must be reasonably satisfied that the accused essentially had the requisite mental element present in his or her mind at the relevant time (Purposely and Recklessly). Objective Test: The requisite Mens Rea element is charged to the accused on the basis that the reasonable person would have had the mental element in the same situation (Negligence) .Hybrid Test: This test is both subjective and objective. In most situations it is difficult to base the judgment on the subjectivity of the case since the proof provided is not enough. Therefore decisions based on objectivity are also taken. The court has almost no obscurity in ascertaining Mens Rea if there is actual evidence, for example, the accused admitting the crime. The subjective test would be thus satisfied. However most of the accused make no such admissions. Therefore some degree of objectivity is borne to reach a decision. People of ordinary intelligence are usually aware of their physical surroundings and of the ordinary laws of cause and effect. Thus, when a person plans what is to be done and what is not to be, the person would understand the range of likely outcomes from the person’s behaviour. If clear subjective evidence is provided that the accused did not foresee like any reasonable person would have, the hybrid test may find criminal negligence. When reaching a decision, the jury must have a high certainty before giving the convicting decision. If the jury is not certain, the defense justifies infancy or a lack of mental capacity using the M’Naghten Rules and the various statutes defining mental illness as an excuse for the defendant’s actions. If the accused did not have sufficient comprehension of the nature and quality of the actions, the requisite Mens Rea is lacking no matter what degree of probability might otherwise have been present. Here a higher degree of objectivity must be used for the common law to form the basis of potential liability and the reasonable person must be given the same intellectual and physical qualities as the accused, and the objective test undertaken should answer whether an accused with these specific attributes would have had the requisite foresight and desire. There objectivities are important in decision making and in cases where the defense can serve benefits as explained above, even more objectivity must be used to reach to a justifiable answer.
ACTUS REUS: OMISSION & CAUSATIONThe general basis for imposing liability in criminal law is that the defendant must be proved to have committed a guilty act whilst having had a guilty state of mind. The physical elements are collectively called the actus reus and the accompanied mental state is called the mens rea. It is the fundamental duty of the prosecution to prove both of these elements of the offence to the satisfaction of the judge or jury beyond reasonable doubt. In the absence of such proof the defendant will be acquitted.
ACTUS REUS
An actus reus consists of more than just an act. It also consists of whatever circumstances and consequences are recognised for liability for the offence in question – in other words all the elements of an offence other than the mental element. The term actus reus has been given a much wider meaning by Glanville Williams in his criminal law. He says : When he use the technical tern actus reus we include all the external circumstances and consequences specified in the rule of law as constituting the forbidden situation. Reus must be taken as indicating the situation specified in the actus reus as on that, given any necessary mental element, is forbidden by law. In other words, acus reus means the whole definition of the crime with the exception of the mental element – and it even includes a mental element in so far as that is contained in the definition of an act. Actus reus includes negative as well as positive elements. For example, as stared earlier, the actus reus of murder is the causing of death of a person. It also includes circumstances, such as the person whose death has been caused was not as a consequence of a sentence or death given to him or that the death was caused within the territorial jurisdiction of the state.
OMISSIONS IN CRIMES
Omissions are controversial for two main reasons_ first, whether and to what extent it is justifiable omissions rather than acts; and secondly, whether liability for omissions rather than act requirement in criminal law. Pursuing the second point here, much has been made above of the importance of requiring proof that the defendant voluntarily did something to produce prohibited conduct or consequence. In so far as this can be termed an ‘act requirement’, are omissions a true exception to it? If they are, is this another argument against criminalizing them? One much-discussed preliminary question is the distinction between acts and omissions. Sometimes it is argued that certain verbs imply action and therefore exclude liability for omissions, and that the criminal law should respect. The distinctions flowing from this. English courts have often used this linguistic or interpretive approach. It has led to a variety of decisions in different statutes, without much discussion of the general principles underlying omissions liability. The law commissions considerably draft criminal code may be said to signal the continuation of this approach, by redefining the homicide offences in terms of ‘causing death’ rather than ‘killing’, and refining the damage offences in terms of ‘causing damage’, rather than ‘damaging’, so as ‘to leave fully open the courts the possibility of so constructing the relevant (statutory) provisions as to impose liability for omissions’. The draft cod would therefore remove any linguistic awkwardness in saying, for example, that a parent killed a child by failing to feed it; but it does so in this specific instance, and without proclaiming a general principle, that the act requirement may be fulfilled by an omission of a duty can be established. Attachment to the vagaries of the language is no proper basis for delineating the boundaries of criminal liability. In some situations the courts, following the linguistic approach, have nevertheless found themselves able to impose omissions liability. In Speck (1977)3 the defendant was charged with committing an act of gross indecency with or towards a child. The evidence was that an 8 yr old girl placed her hand on his trousers over his penis.
He allowed that hand to remain there for some minutes, causing him to have an erection. The court of appeal held that the defendants’ failure to remove the hand amounted to an invitation to the child with the act, or it created a duty in an adult to put an end to the innocent touching of this kind, with omissions liability for not fulfilling the duty. The analysis is similar to that in miller (1983) where D fell asleep whilst smoking, woke up to find the mattress shouldering, but simply left the room and went to sleep elsewhere. He was convicted of causing criminal damage by fire, on the basis that a person who initiates a sequence of events innocently and then fails to do anything to stop the sequence should be regarded as having caused the whole sequence. On this view the conduct constitutes a single, continuing act; Miller caused the damage because he took no steps to extinguish the fire he had innocently started. It must be doubted whether these efforts to find an act which then coincides in point in point of time with defendants knowledge and intentions are convincing. Surely the courts are imposing liability for an omission on these cases, by recognizing that a duty arises. Speck is a little different from miller since the original act of the speck was of the girl, and the duty must therefore amount the recognition of an obligation on an adult to put an end to the indecent yet innocent touching by a child. In so far as these decisions appear to extend the statutory wording, are they objectionable on grounds of retroactivity and lack of fair warning, or defensible as applications of existing common law doctrine to new situations? In other situations it seems possible to offer plausible reasons for regarding the same event as either an act or an omission, and in some cases the courts have sought to exploit this ambiguity when dealing with problematic medical issues. Yet it is one thing to say that a healthcare professional who decides not to replace an empty bag for a drip-feed has made an omission, whereas switching a ventilator off is an act; is another thing to maintain that the act-omission distinction should be crucial to any determination of the criminal liability in the two situations.
In Airedale NHS trust v bland (1993)the house of lords held that it would be lawful for a doctor to withdraw treatment from a patient in a persistent vegetative state, even though death would inevitable be hastened by that conduct. The house held that the withdrawal of treatment would constitute and omission, and thus regarded the duties of the doctor as the central issue. The decision was that the doctor a doctor has no duty to continue life supplying treatment when it is no longer in the best interest of the patient, having regard to responsible medical opinion. However the court of appeal declined to adopt this subterfuge in Re A(conjoined twins: Surgical separation), holding that the surgical separation of the twins would undoubtedly an act, and subsequently deciding that carrying out an operation which would result in the death of one twin in order to save the life of other could be justifies on the grounds of necessity. This demonstration of the fragility of the act-omission distinction of the vagaries the English language indicates that it may be simplistic to oppose omissions liability in the principle.
There are some clear cases of omission in which it is desirable to have criminal liability, such as the parent who neglects to feed her or his child or neglects to protect it from abuse. Omissions can be involuntary or not, in the same way as acts; and provided, that the harm resulted because D failed to intervene, it can be argued that omissions are also causes. Omissions liability ay therefore satisfy the principles that no one should be held liable for bodily movements that he or she did not or could not direct. It may also satisfy the principle that no person should be held liable for the conduct or consequences that he or she did not cause. But one point of the act requirement is to exclude liability for mere thoughts that do not result in some bodily movement, and omissions fall foul to that. They do so for a good reason – that certain positive duties to act are so important that they can rightly be made the subject of criminal liability. Of course, such a duty should also be defined with sufficient certainty and made known to those affected by it. So long as these formal requirements are fulfilled there can be no fairness objection to holding a person liable, provided that he or she is capable of taking some steps to carry out the duty.
CAUSATION IN CRIMESAn event is very often the result of a number of factors. A factor is said to have caused a particular event if, without that factor or, the event would not have happened. Thus, a man is said to have caused the actus reus of a crime, if, that actus would not have occurred without his participation in what was done. Some casual relationships has to be established between his conduct and the prohibited result. A man is usually held criminally liable only for the consequences of his conduct as he foresaw, (or is crimes of negligence, he ought to have foreseen). The act must be the causa causans, ie, the immediate or proximate cause of the effect. When the facts are direct and simple, then establishing the causal nexus between the act and the effect may not be difficult, as for instance in a case of person shooting another person and thereby killing him. The causation can also be without any direct physical act. if the victim asks his way on a dark night and the accused with the intention of causing his death, directs him to a path that he knows will bring him to a cliff edge , and the victing suffers a fatal fall, this is clearly murder, though the accused has done nothing more than utter words. This can be true in cases of abetment, incitement and conspiracy. In the instances stated above, it is not difficult to establish the direct result between the cause and the effect. The difficulty arises only in cases of multiple causation, where it is difficult to establish the imputability. Example: A, intending to kill B but only wounds him very slightly. A clearly has the requisite mens rea for murder, that is, he foresees and desires B’s death. Not let us assume that on his being ta ken to the hospital in an ambulance, a piece of masonry from a building falls on the ambulance and kills B; or, alternatively, that B has a rare blood disease which prevents his blood from coagulation so that the slight wound leads to his death, which it would not have done if he had not been suffering from this disease; or, alternatively, that B refuses to have the wound treated and dies of blood poisoning, which would not have occurred if B had had the wounded treated. In all these cases, a problem of causation arises, i.e., did A cause B’s death for the purposes of the criminal law so that he can be convicted of murder? If the result is too remote and accidental in its occurrence, then there is no criminal liability.
CAUSATION AND NEGLIGENCE
The difficulty of causation arises very often n cases of negligence. It has t be established that first, the conduct of the person was negligent and secondly, that but for the negligent act of accused, the accident would not have occurred. In other words, the actus reus should be causally connected to the act, which should be proved to be a negligent. In order to impose criminal liability under S 304A, IPC, it is essential to establish that death is the direct result of the rash or (and) negligent act of the accused. It must be causa causans – the immediate cause and not enough that it may be quasa sine qua non, ie, proximate cause. There can be no conviction when rashness or negligence of third party intervenes. In Suleman rahiman mulani v state of Maharashtra the Supreme Court has approved his rule. In Suleman rahiman mulani the accused who was driving the jeep struck the deceased, as a result of which he sustained serious injuries. The accused put the injured person in the jeep for medical treatment, but he died. Thereafter, the accused cremated the body. The accused was charged under s304A and 201 of the IPC. As per s 304A, there must be direct nexus between the death of a person and rash and negligent act of the accused that caused the death of the deceased. It was the case of the prosecution of the accused had possessed only a learner’s license and hence was guilty of causing the death of the deceased. The court held that there was no presumption in law that a person who possesses only a learner’s license or possesses no license at all, does not know driving. A person could for various reasons, including sheer indifference, might not have been taken a regular license . there was evidence to show that the accused had driven the jeep to various places on the previous day of occurrence. So before the accused convicted under s304A, there must a proof that the accused drove in a rash and negligent manner and death was a direct consequence of such rash and negligent manner. In the absence of such evidence no offence under s 304A was made out. The accused was acquitted of the charges.
MINIMAL CAUSATIONWhen death of a person is caused after medical treatment, it cannot be said that the treatment was not proper or inadequate, or had better treatment been given, the death would not have taken place. This is because, the intervention of the doctor is in the nature of minimum causation and hence its intervention would have played only a minor part, if any, in causing death. As far as the IPC is concerned, explanation 2 of s 299 specifically states that if an act causes death, even death could have been avoided by proper remedies and skilful treatment, the act shall be deemed to have caused death and the person will be criminally liable. If death results from an injury voluntarily caused, the person who causes the injury, therefore, is deemed to have caused the death, although the life of victim might have been saved if proper medical treatment, provided that it was administered in good faith by a competent physician or surgeon. In Moti singh v state of uttar Pradesh the deceased gayacharan had received two gunshot wounds in the abdomen which were dangerous to life. The injury was received on February 1960. There was no evidence when he was discharged from the hospital and whether he had fully recovered or not. He, however, died on march 1 1960. His body was cremated without post mortem being done. The supreme court held that the two gunshot injuries were dangerous to life were not sufficient for holding that gyancharans death, which took place about three weeks after the incident, was on account of the injuries received by him. The court observed that in order to prove the charges on gyancharans murder, it was necessary to establish that he had died on account of injuries received on him. Since, the was no evidence to establish the cause of death, the accused could not be said to have caused the death of gyancharan. A crucial aspect highlighted by the court in the case was that the connection between the primary cause and the death should not be too remote.
CONCLUSION
Causation is a complex topic, with which we have been able to deal only brief here. Proof of causation is often said to be an essential precondition of criminal liability, but there is reason to doubt the generality of that requirement, notably in respect of accomplice liability and vicarious criminal liability. Rather than insisting on a universal requirement of causation, it may be preferable to argue that liability should be negatived, in general, by the voluntary intervening act of another. Several criticisms of the judicial approach to three exceptional categories of case hace been advanced above. Often the explanations given by the courts are unconvincing. Whilst the traditional or standard causal theory emphasizes the significance of the last voluntary act, there is no reluctance to took wider or to massage the term ‘voluntary’ in certain situations, especially where D clearly stated that the sequence of events by doing a wrongful act. The challenge is to re-examine the intuitions that lead judges and others to their conclusions (the wrongful act theory, the approach to medical mistakes etc. ) with a view to constructing a law that ensures that the courts respect the various principles . “There is an assumption in law that mens rea is required before a person can be held guilty of a criminal offence.” Mens Rea is still used as a basis for the law today. Though in actuality, the exact meaning has changed. The modern meaning of Mens Rea used today is narrower. Mens rea describes the state of mind or inattention that, together with its accompanying conduct, the criminal law defines as an offense. In more technical terms, the mens rea of an offense consists of those elements of the offense definition that describe the required mental state of the defendant at the time of the offense, but does not include excuse defenses or other doctrines outside the offense definition. So the original meaning differs in essence to the one we use today. This meaning is more appropriate for the world we live in.
ReferencesBrown, D. K. (2012). Federal Mens Rea Interpretation and the Limits of Culpability’s Relevance. Law & Contemp. Probs., 75, 109.
Durland, L. (2009). Overcoming the Persecutor Bar: Applying a Purposeful Mens Rea Requirement to 8 USC Sec. 1101 (a)(42). Hamline L. Rev., 32, 571
Moohr, G. S. (2010). Playing with the Rules: An Effort to Strengthen the Mens Rea Standards of Federal Criminal Laws. JL Econ. & Pol’y, 7, 685.
Moore, N. J. (2010). Mens Rea Standards in Lawyer Disciplinary Codes. Geo. J. Legal Ethics, 23, 1.
Walker, A. (2011). Hidden Flaw in Kiobel, Under the Alien Tort Statute the Mens Rea Standard for Corporate Aiding and Abetting is Knowledge, The. Nw. UJ Int’l Hum. Rts., 10, 119.
Museum Exhibition Design
Museum Exhibition Design
Museum exhibition can be used for social, historical and civic education (Bennett 102). Traditional museum environments are institutions that collect works of art considered to be important within a historical context. Museums, in collaboration with other mediums like architecture and graphic design, utilize semiotics and elements of design to create carefully crafted visual narratives. Historically, museums create different cultural narratives at different time periods (Goodnow and Akman 207). Museum exhibitions are both an expressive art of themselves and also a showcase for other forms of art such as photography, paintings, advertisements and cinema. Exhibitions are a forum in which art, history, popular culture and mass media are designed into narratives that inform about the past and convey messages about the present and the future.
Art and visual literacy involves interpreting information by viewing images and perceptions (Machado and Jeanne 153). It applies artistic language through the use of sign language and codes. Observers interpret information according to the observations they make. The concept of art and visual literacy uses, extensively, the idea of culture. Images used in art works, usually, have a simple meaning and a deeper interpretation of what they represent. In visual literacy, perception is used as a key element in studies. Artwork involves the use of sculpture, architecture and painting in expressing feelings that view and interpret images. Mass media relates to art since it involves interpretation and viewing of signs. For a long time, mass media has incorporated the use of ideas, wanted by writers, to communicate to the entire population. Mass media, just like fine art, requires community art programs and performing arts. Visual literacy, arts administration, mass media and art make use of perception in interpretation.
The central theme of the museum exhibition design is historical representations of hip-hop album covers during the 1980s. The theme was chosen because the album covers used forms of art like proximity, alignment and repetition to express a deeper meaning and attract viewers. The cultural and historical significance of hip-hop album covers during the 1980s is that they brought reaction to the viewers since the designs on the albums carried a deeper meaning that was beyond mere entertainment. The reactions included joy, pain, sorrow, anger, defeat confusion, victory, clarity, happiness, humor, etc.
Design elements used by the hip-hop album covers during the 1980s created a framework for almost all designed imagery. Designed imagery is what makes up the daily world including the newspaper, billboards, magazines, cinema, television and homes. Designers of the album covers wrote the elements while viewers read them as part of complex visual narratives. All shapes in the design of the album covers were made up from a dot since it is the simplest, irreducibly minimum unit of visual communication. Dots were placed together to create images. Continuous marks were made by placing a marker point on a surface and moving it along, leaving the formed marks to create a line. Different shapes created by combination of lines formed designs on the hip-hop album covers during the 1980s. The created shapes, for instance squares, triangles, rectangles etc, created emotional responses from viewers of the album covers.
Proximity was applied in the grouping of related objects together on the hip-hop album covers during the 1980s. This showed that related objects have a relationship with each other. As the objects were grouped together, they created recognizable patterns for the album cover viewer’s eye.
All objects on hip-hop album covers during the 1980s were placed in a way that they all had a visual connection to other things in design, in respect to the aspect of design. This created a balanced, stronger, and a more cohesive overall design. Some elements were repeated throughout the overall design of the album covers to create consistency by using recognizable elements that were repeated to frame people’s viewing experience. This created rhythm within the overall design and pattern that allowed the designers to help the viewers identify important visual cues on the album covers.
Objects that were very different on hip-hop album covers, for instance, large and small or black and white, were used in tandem to create visual designs. This created a dynamic composition within the overall design, which captured and directed the eye. It, also, assisted in achieving balance within the design and created a striking visual interest to hold the attention of viewers.
The colors on hip-hop cover albums during the 1980s were created by light striking an object and reflecting back to the viewers of the album. When the reflections of light got into the human retina, they were processed through nerve fibers to the photoreceptors at the back of the eye, called cones. The cones allowed the viewers to see color, changes in light intensity and fine details on the album covers.
Hip-hop album covers during the 1980s used semiotics in their art. This involved the use of signs to convey message to the viewers of the album covers. Semiotics is the study of signs as part of social interaction. Its origin is attributed to Ferdinand de Saussure and Charles Sanders Peirce. These two individuals were instrumental in developing semiotic theory around the same time across the Atlantic. Peirce was from the US while Saussure was a Swiss. The general dates of the two individuals established that semiotics was a fairly new philosophy theory that closely echoed the psychological movements of Jung and Freud. The origin of semiotics comes from the study of linguistics. Saussure viewed linguistics as a branch of semiology. Thus, Saussure did not delineate semiotics, as it is done currently, from human language. His theory stated that by understanding the laws of semiology, people discover laws that are applicable in linguistics. This law employs structuralism, a method that describes the overall model of sign systems as a language.
Since the study of signs has undergone progression and expansion beyond its origins, cultural and social elements were applied in its use in the Hip-hop album covers during the 1980s. One of the elements use included ideology and an example was social construction. Social construction implied that what was seen was constructed socially and was not a product of a scientific-based theory as a visual grammar. A critique that came out of this is how mediated images were controlled by a dominate class. The dominate class created a false reality that served its goals in the album covers.
Since semiotics is a major approach of cultural studies under individuals like Roland Barthes, its use on the hip-hop album covers went beyond the focus of linguistics and included a system of signs, for instance, gestures, images and musical notes, which made up public entertainment. Semiotics in the album covers was used to analyze layers of communication that the hip-hop culture employed to communicate with the viewers. Signs were matched with other signs to form codes, which were then added to other codes to form genres that created a complex and layered visual narrative that informed how individuals and cultures defined themselves and others. There was an overlap of a single type of text with other texts that crossed over to other mediums on the album covers.
Basing on the semiotic theory, the art work used on the hip-hop album covers involved the use of triangle models to visualize the interaction of elements that acted upon a sign to give meaning. A large portion of visual literacy theory was also applied to make use of the same type of model. Originally, the model used was an adaptation of Peirce’s triadic model, in contrast to Saussure’s two part model, that breaks down elements into representament, interpretant, and object.
An example of a triangle
Active interpretation of the art on the hip-hop album covers created a break from the previous emphasis made by Saussure and Peirce on the actual sign at the center of the interpretation process. Through media theory, interpreters of the hip-hop album covers were brought into equal stand with the sign. The relationship between signs that ware culturally and socially constructed through collective agreements is referred to as conventional association.
Signs used on the hip-hop album covers during the 1980s were categorized into four types; Symbol signs were those in which the signifier failed to resemble the signified. These signs were purely conventional, thus the interpreter had to learn them. Examples of such signs included language in general and religious symbols. Iconic symbols were symbols in which the signifier resembled the signified. These signs possessed recognizable elements that reflected the original idea that was being represented. Examples of these signs included portraits, cartoons and sound effects. Indexical signs were signs in which the signifier was not abstracted. The signifier directly connected to the signified. This connection could, sometimes, be directly observed or inferred. Examples of these signs included natural signs like the visual recordings on the album covers.
Codes are the way signs in the hip-hop album covers during the 1980s were interpreted in relation to each other. It was the framework in which the signs made sense. The signs in the album covers were organized by codes into meaningful systems of signifiers and the signified. Since the relationship between the signifier and the signified on the album covers was arbitrary, interpretation of the sign meanings required familiarity with social conventions.
The interpretation of object in the album covers relied on the time period and culture of the viewer. This concept was similar to Leppert’s institutional frame and Baxandall’s period eye. Viewers’ needed to separate dominant shapes from the background shapes in order to be able to interpret objects on the album covers. According to Edgar’s Rubin’s ambiguous figure, if a person focused on the black shapes, they became the dominant foreground faces and the white part became the nondescript background. If they focused on the white shape of the album covers, it became the dominate vase shape and the black became the background.
The targeted intelligences for the exhibition are spatial intelligences since this type of intelligences accurately perceive the visual world (Kincheloe 105). They think in three dimensions and are able to transform a person’s perceptions and recreate the visual experience of a person through imagination.
This exhibition shows a total understanding of elements of design and semiotic sub-topics that were covered in class during lecture presentations. It also shows clear understanding of organizational skills of placing the theory and practical applications into an easy to understand museum exhibition. Since exhibit design is a work in progress, the next step after this museum exhibit will be relating it relating it with the other sub-topics like intuitive and rational experience, basic elements of photography, the period eye, etc.
Work cited:
Bennett, Tony. The Birth of the Museum: History, Theory, Politics. London, LD: Routledge,
2013. Print.
Machado, Jeanne M and Machado, Ed C. Early Childhood Experiences in Language Arts:
Emerging Literacy. Albany, NY: Delmar Publishers, 1990. Print.
Kincheloe, Joe L. Multiple Intelligences Reconsidered. New York, NY: P. Lang, 2004. Print.
Goodnow, Katherine J, and Haci Akman. Scandinavian Museums and Cultural Diversity. New
York, NY: Berghahn Books, 2008. Print.
