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Hollywood red carpet
Hollywood red carpet
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Hollywood red carpet
The red carpet has become an inclusive phenomenon of Hollywood. The first time a red carpet is mentioned in history is 485 BC in Aeschylus’s Agamemnon a Greek tragedy as a “crimson path.” For eons the red carpet has been roll out for heads of states most during formal and ceremonial occasions. The red carpet tradition has however spread from royalty to other areas like showbiz in Hollywood where it is associated with celebrities, fashion, interviews and photo shoots for fauns and paparazzi.
From its origin the red carpet was used to honour gods and royalty. This is why it is still used to honour heads of states. It is for the honouring part of the tradition that Hollywood uses the carpet. In Hollywood the carpet is used to honour artists. Ideally the tradition was adapted to honour actors who had outstanding performance and providing an opportunity to meet with their funs, showcase their fashion have interviews and so on. At the moment critic feel that the red carpet has lost its mojo since all manner of actors now walk on it.
Fashion is an integral part of the Hollywood red carpet. Celebrities come dread their best, in designer made clothes, or clothes inspired by themselves. The clothes thereafter become a subject of discussion as analyst analyse and critique what every celebrity wore. During the occasion, the celebrities engage in interviews either with journalist of paparazzi who ask them about the recent activities and future prospects. Celebrities have different experience at the red carpet and associated awards. Recently Ryan Secrets had one of the most embarrassing incidents at the red carpet when an ash like substance poured on his tuxedo.
in sum, the Hollywood red carpet is an adoption of the red carpet tradition with tha aim of honouring celebrities. It is transformed from its original use of honouring god and royalty. In Hollywood it is accompanied by fashion and celebrity interviews.
Art Analysis The Yellow
Art Analysis: The Yellow Cow
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Art Analysis: The Yellow Cow
Germany, in the early 20th century, saw the rise in the back-to-nature form of art. One of the artists who rose to prominence in regards to the new nature-oriented based art in Germany was Franz Marc. Franz Marc’s pantheistic vision of nature alongside his affiliation to animals set him apart as an outstanding painter, as seen through his work such as Blue Horses, The Fate of Animals, The Foxes, and The Yellow. Franz Marc’s The Yellow Cow utilizes visual elements, which include color, shape, and lines to effectively captures the emotions and feelings of Marc, who is peaceful and happy about his new marriage.
The Yellow Cow was painted in 1911 (Marc, 1911). The painting by Franz Marc was representative of the emerging changes in art in Germany during the 20th century. The art had adopted a similar approach used by artists during the time, which majorly emphasized in back to nature. The Yellow Cow painting also represented a significant change in Franz Marc’s painting method. Throughout his paintings, Marc was enthusiastic and passionate about animals. However, The Yellow Cow painting took a unique approach, which was against the typical sentimental approach, which is offered to animals by human beings. His painting indicated a cow that had wholly surrendered to nature. Through the Yellow Cow painting, Franz Marc was able to express his perception of his recent marriage.
Franz Marc’s work through The Yellow Cow Is an outstanding piece of art. The painter shows an immense ability in the manner in which he expresses his emotions and feelings. Franz Marc effectively manages to asset pour out his emotions, feelings, and his perception of the world through a painting which mainly features a yellow cow. Franz Marc uses several visual elements to help achieve his objective. One of the main visual elements utilized by Marc is color. Color is the most dominant visual element in The Yellow Cow. In the painting, the color was used in a manner that equated the use of symbolism in literature. Color represented a specific angle of Marc’s art. Vincent Van Gogh initially coined the use of color symbolism by Franz Marc. In his art, Vincent Van Gogh used color as a way of depicting emotions, although he retained other features that showed the natural world. Franz Marc capitalized on the use of color as a means of showing symbolism, as used by Van Gogh, in his painting. He utilized colors to illustrate the emotions in natural landscapes while also adding to his insights on pantheism. The yellow color is the main color in Franz Marc’s painting. The yellow color symbolized sensuality as well as femininity in The Yellow Cow.
On the other hand, blue represented maleness and spirituality, while red symbolized the earth. The description of his marital bliss was evident through the color in the painting. The use of color in The Yellow Cow Helped t outline his emotions, which represented security, calmness, and peace. The motivation was based on his second marriage to Maria Franck.
Another visual element that is predominant in Franz Marc’s painting is the use of lines. The Yellow Cow is characterized by the use of repeated lines in the painting. A look at Marc’s work indicates the presence of several lines. The lines of the cow are apparent in the lines of both the sky as well as the earth. The author also utilizes brown lines, which are majorly evident on the tree trunks frame. The brown lines are sufficiently used to elevate the cow’s status in the painting to portray the feeling of peace, calmness as well as happiness.
Franz Marc utilizes the combination of different visual elements in The Yellow Cow to a devastating effect. The clam lines and the soothing colors are combined well in a manner that helps to complement their use. Franz Marc’s use of the combination of colors and lines in the painting helps to derive a feeling of serenity and bliss in the painting.
The shape is another crucial element that is adequately utilized in the Yellow Cow. Franz Marc utilizes the element of shape to good effect in the painting. He ensured that the use of shape is designed in a way that the cow remains at the center of the painting. Therefore, he ensures that the other features included in the painting do not overshadow the presence of the cow. The blue hills which are located at the background of the painting are a perfect illustration of the use of shape in the painting. The blue hills are painted in a way that is similar to the buttock of the cow. The similarity in shapes is designed to control the vision of the audience. Consequentially a drift from the cow is easily redirected back to the cow through the shape of the mountains. His use of shape is vital as it helps to ensure that the audience does not lose sight of the intended purpose of the painting. One of the reasons which may have persuaded him to use the shape in such a manner Is his willingness and persistence to stick to his main message, which was to express his perception of the world. While Marc understands that he has the artistic responsibility to being as authentic in his draw, as illustrated in addition to features such as mountains, he desires to make known of his emotions, feelings, and bliss.
Conclusion
The Yellow Cow by Franz Marc represents an outstanding art drawn in the 20th century. In the painting, Marc effectively demonstrates his feelings, emotions, and bliss, which resulted from his new marriage to his second wife. It also represented his perception of the world. Franz Marc utilizes a combination of color and lines to help evoke his bliss and serenity in his life. His painting represented a perspective of life, which is based on happiness, calm, and peace, which he approves. His painting relies on the use of shape to help ensure that the audience is not easily destructed from the main theme and focuses on the cow.
Reference
Marc, F. (1911). The Yellow Cow [Oil Paint]. Franz Marc Museum. New York.
ARQ Chapter 10 QUIZ
ARQ Chapter 10 QUIZ
1-Define the term “statistics.”
numerical data, and is the field of math that deals with the collection, tabulation and interpretation of numerical data.
2- Statistics are deceptive in many ways. Name 2 ways authors may attempt to deceive us with the use of statistics:
One of the ways authors use statistics to deceive is by using upper and lower figures to create estimates. This involves either using the upper or lower limits of data to magnify or minimize the outlook of something. Higher figures can be used by the author to distort the true image and make something look bigger than its actual size or length.
The other way authors use statistics to lie is by using complicated figures that are meant to build onto a hidden meaning. Such an approach is often used when describing a very detailed figure that many people perceive as complex and thus pay little attention to when analyzing.
3-Using averages are a common way of reporting statistics but can be deceptive if we don’t understand the 3 ways the author determines an average. Name the 3 ways to determine averages and explain how they are different from one another.
The common types of average in statistics are; the mean, the mode and the median, each of which describes a different ‘normal’ value.
Mean average is calculated by adding all numbers in the data set and then dividing by the number of values in the set.
The median average is derived by arranging the numbers in numerical order from smallest to largest, and picking the middle one as the median. In case of two numbers, the sum of the two is then divided by two to get the median.
The mode average is the number that appears most times in a list or sequence
4-Authors often deceive us by omitting information? Read Chapter 10 from your textbook American Wasteland and provide two specific examples of how Bloom has omitted information.
Bloom puts across unrealistic figures to sell his idea about how Americans waste food that could have been used to assists those going hungry. The deception here comes in terms of figures and statements that are made by Bloom to show how wastage is a major issue. The first way Bloom deceives the reader is by comparing food wasted to money that seeks to put unrealistic figures.
The other way Bloom deceives the reader is by comparing two unrelated elements that is food and time or cost of production. The figures presented by Bloom in the book fail to strike some sense or reality as he overlooks the key element of statistical errors. The author claims that the hours spent in the production of the wasted food could go into more important activities that would save the economy billions of dollars. While this is somehow true, Bloom uses this opportunity to deceive the reader by magnifying the figures and thus archives his purpose of conveying the message in his own views.
5-When you visit a doctor’s office to get a potential treatment, the brochures always show you risk statistics in relative rather than absolute terms. Why do you think risk statistics are projected in relative terms? Explain/elaborate your response using a specific example.
Risk statistics are always depicted in relative form because it is hard to strike the real value of a health risk. The elative figures are also a way of offering room for errors in case the risk value goes to unexpected levels. The margins of errors are thus catered for when using relative figures because it can go either way in the final outcomes. For example, the risk figures for most antibiotics is indicated as 1.5 that means that on the relative value, the risk is still at its lowest configuration. This approach is vital when dealing with non-static measurements like risk value.