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Knock Down the House Analytic Review

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Knock Down the House: Analytic Review

Knock Down the House is a documentary directed by Rachel Lears, who also does part of the writing (Lowry). The film follows chronologically the activities of Democratic activists who successfully challenged incumbents. Ocasio-Cortex gets the biggest share of screen time, with her experience depicted as a movement that allows the filmmakers to spend time with other challengers such as Paula Jean Swearengin, Cori Bush, and Amy Vilela and telling their stories. The lesson of this documentary does not, however, become evident until towards the end where Ocasio-Cortez consoles herself by saying that in order for one to make it through, then a hundred must join the battle.

The tragedy begins with the backgrounds of each of the individuals that the documentary is based on. Alexandria Ocasio-Cortez was born in the Bronx in a not so privileged family, and when the financial crisis hit them, and their house was on the verge of foreclosure, she has to work double shifts at a restaurant to prevent this from happening. Amy Vilela was left devastated after losing a loved one due to the awful health care system. She was dealing with anger that she did not know where to direct. Cori Bush joined his community in protests against police shootings that left an unarmed black man dead. On her part, Paula Jean Swearengin watched helplessly as her family and friends died from pollution from the coal industry (Jordan). These stories are resonating, very compelling, and are worth knowing as they create a significant basis for the entire documentary. The director, however, captures these stories just in the right amount and does not go so much in-depth that the women appear weepy.

These four women refuse to sit back and remain helpless and decide to take action at a period of historical volatility in the politics of the United States. Without the resources afforded to well-established incumbents or corporate financing, there create a movement of rebellious candidates criticizing powerful incumbents in Congress. What follows is one of the most significant upset in the nation’s history.

The documentary does a great job highlighting the huge and extraordinary odds that Ocasio-Cortez overcomes to clinch the political seat. It also puts into context the dismissive nature of Joe Crowley, who is a well-established political veteran. The documentary follows the modest campaign of Ocasio-Cortez, where she goes door to door and attends meetings only attended by a handful of people. It captures a moment when Crowley sends a stand-in for the debate a sign of how much he considered the 20-something year old up and coming politician insignificant.

The documentary sheds light on the idealism and vigor that Ocasio-Cortez and other characters invested in their campaign and shows the people the hurdles small politicians face during campaigns and the influence of money in politics. The glimpse of the grassroots campaign offices is very eye-opening. With these hurdles, any individual, whether Republican or Democratic, would not help but admire the ambition of these legendary women. They have no experience, no finances, or experience and lay everything on the line with a vision to change the country for the better.

The film does not have coordinated storytelling but has a strong message for pro-minority or pro-female in politics activists. It inspires, anger, and conceivably even motivates its audience to do something about the current political situation. It is a message for all women who have chosen to willingly take on the male-dominated political scene and withstand the harassment that comes with the challenge. The documentary shows the campaign staffers warning candidates of the consequences of coming turning up with facts and truths. It is an indication of how the political era today has bid farewell to polite discourse.

The application of ethos in this film is natural. Ethos is the major character of a culture and is used to appeal to an audience through underlying sentiments that advise the beliefs, practices, customs, and practices of a certain society. The characters in this film operate using ethos at each point. Ocasio-Cortez is an upbeat young woman who goes around driving home points of inequality to people regardless of their age. She uses facts and truths to eviscerate her competition and does exceptionally well in doing so. The depiction of Ocasio-Cortez, Paula Jean Swearengin, Cori Bush, and Amy Vilela as ethical or the use of ethos creates credibility with the audience. Although the message is not intricately persuasive, the audience is challenged to take action and join in the movement.

The creators of the documentaries use pathos a lot in the film. It begins with the background stories to each of these strong women that evoke pity, although not to the extent that depicts them as victims rather than heroes. Pathos is a value that arouses sadness or pity. The documentary creates an emotional response from the audience, especially with the death of Amy Vilela’s daughter due to the negligence of the health system. The journey of these women during campaigns is also pitiful. Their campaign funds come from well-wishers through crowdfunding and have stories of relatable hardships. There are a lot of women out there whose children have been denied treatment for lacking insurance or having the wrong one like in the case of Amy.

Although the film is not based on any conspiracies, it appeals to the audience a sense of logic. Logos is a persuasive element that challenges the audience to reason, use logic, and be rational. Logos is applied through the campaigns and the message carried by the candidates. Ocasio-Cortez, Jean Swearengin, Cori Bush, and Amy Vilela campaign using points about the extent of social inequality and get people to start seeing what was already in front of them.

This documentary is an indication of the slow but significant success of minorities in response to change. There is still a long way to go, but this documentary evokes a reaction from a larger audience and beyond the people that have had contact with the woman depicted. No matter what happens in the future, Knock Down the House will remain a significant record of a pivotal movement in the politics of this nation.

Works Cited

Brian Lowry. “‘Knock Down the House’ Puts AOC’s Stunning Victory in Larger Context.” CNN, 30 Apr. 2019, edition.cnn.com/2019/04/30/entertainment/knock-down-the-house-review/index.html.

Hoffman, Jordan. “Knock Down the House Review – Alexandria Ocasio-Cortez Doc Brings Down the House.” The Guardian, 30 Jan. 2019, www.theguardian.com/film/2019/jan/28/knock-down-the-house-review-alexandria-ocasio-cortez-doc-brings-down-the-house.

The Art of Story Telling

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The Art of Story Telling

Initially, I defined a good story as a way of telling an account by understanding factors that satisfy the audience or a reader without regardless of intricate details such as genre. I believed that stories should achieve certain effects such as being inspirational or moving the audience emotionally. A good story is something that the audience acknowledges as good or important. Over the semester my definition of a good story has changed to include dramatization. A story scenario should rely on a dramatic premise to advance itself inform the resulting actions and the outcome that comes from the primary story scenario. A good story contains conflict, tension, Controversy, surprise, suspense, and characters who are out of the ordinary.

Periods of Literature

I enjoyed studying the Romantic period because one, it was a period that constituted writing from American authors and marked the transition of literature from British nonfiction writers. The fascinating thing about writings from the Romantic Period was that they explored the values of the individual over the group. A value that has evolved to define societies today. In an age where we are losing nature at an alarming rate the value of nature illustrated in these writings is reminiscent. Edgar Allan Poe was my favorite writer from this period. His accounts depict and inhabit the role of the Romantic individual, he describes his torment and strugglers in such an educative and engaging way. His invention of the modern detective story is legendary.

Thoughts on the Final Project

The story I am trying to tell is how a girl grows up shaped by society or the experience of growing up a girl. The prose form imitated from “The Girl” by Kincaid is befitting of this story. although this is not a poem like Kincaid’s work, just like it, it does not follow the rules of literature which I hope will have the effect of ensuring a continuous flow of reading and increase reader engagement. The goal of this story is to pass a certain message and that is the most important thing just as many forms of modern writing. I am learning that it is okay to ignore the traditional rules of writing especially with poems, which I initially thought strictly required to follow a certain form to be considered a poem.

Changes I would make to the Course

The change I would like to make to the course would probably be increasing the content or making it longer. The study of literature is very interesting and has a wide scope which I understand is inexhaustible but I would wish to read more especially on deeper forms of literature such as the language that was used in the early days. I would keep “The Girl” by Kinkaid and give up Love and Other Catastrophes: a MixTape” by Amanda Brown just because it is a requirement otherwise I would lose neither.

LOreal Brand Audit

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L’Oreal Brand Audit

For many decades L’Oreal has been a devotee on female beauty (hair and skin) in fulfilling their mission responsibly and ethically. It’s one of the world’s leading beauty product corporations.

L’Oreal has beauty brands that have the direct and indirect. The two main direct competitors include Procter & Gamble Company (PG) and Revlon (REV). These competitors do also produce households skin cares, cosmetics and other hair and beauty products. Others include Nivea (hair-care, skin-care) Unilever (cosmetics hair-care, skincare), Nivea (cosmetics), Coty (fragrances ,cosmetics), LVMH (luxury beauty products), Boots (cosmetics), Estee Lauder (cosmetics, fragrances) and Beiersdorf (skincare) among others. Its indirect competitors’ include Google Inc. and apple in terms of their market size and financial profitability ratios.

The marketing strategies employed by the key competitors of L’Oreal include: engaging thorough creativity in their production of hair and skin care products, creating massive awareness of the products across local and international markets, using new mechanisms to scrutinize L’Oreal responses to their marketing measures, influencing strengths from L’Oreal customers’ perspectives and understanding and analyzing the competitive landscape of L’Oreal.

As at February 2014, L’Oreal market share had operating turnover of 3.88 billion Euros, showing 16.9% of retailing and an increase of 3.2% net proceeds after interests.

The strengths and weaknesses of the chief competitors of L’Oreal include: the steady research and originality, trying to lead in cosmetic production, doing immense advertising and online trading, trying to create market and create presence in more countries, producing steady quality, being concern on environmental hazards and other socially responsible activities that will try to outweigh L’Oreal as a principal competitor. The weaknesses of L’Oreal chief competitors include: large decentralized organizational structures, struggling profit margin and high dependence on third party retailers.

Typical reaction pattern of L’Oreal competitors include litigations of various accusation on products and their intellectual and property rights, trying to advance their technology to match with L’Oreal strategies and keeping tabs with them on various innovations.

Work Cited

“L’Oréal, World Leader in Beauty: Makeup, Cosmetics, Haircare, Perfume – L’Oréal Group.” L’Oréal, World Leader in Beauty: Makeup, Cosmetics, Haircare, Perfume – L’Oréal Group. N.p., n.d. Web. 18 Apr. 2014.