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Be-Heading of John the Baptist
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Be-Heading of John the Baptist
The story of the beheading of john the Baptist is a very common biblical story which teaches about incest, stealing and sin. John the Baptist according to the gospels is stated to have had a lot of influence on the people and that he was in fact the Second Elijah. With this he was a prophet and the work of a prophet was to state clearly what was wrong and evil in the society for individuals to get rid of it. He admonished King Herod for leaving his wife and taking his niece as his second wife. This was considered a big sin and therefore john the Baptist wanted to do his part so that even if king hero was to be judged it will not be up to the prophet to be asked about why the kind did the wrong thing.
With being reproved, the kind got angry and locked john the Baptist. During a feast a girl danced very well and the king promised the girl to give her anything she would have asked for. However due to issues the mother of the daughter had with john the Baptist, she requested the daughter to request for the head of john the Baptist on a platter. Therefore King Herod brought what he was expected to do. Therefore the story of the beheading is a story which has many lessons and can be depicted in a certain ways by artists.
The major works of art in this subject are; The Beheading of St John the Baptist by Caravaggio and the Beheading of Saint John the Baptist by Giovanni di Paolo.
Michelangelo Merisi da Caravaggio is the artists who prepared the work.
This painting was made between, 1571-161 by Michelangelo Merisi da Caravaggio. It is an oil on canvas painting and measures 91.5 by 106.7 cm. Salome turns away from the head and this can be stated to be avoidance of seeing what has been done since it is too much for anyone to look at. The executioner who is holding the hair of the head of john the Baptist is very composed and detached. The old woman is a disengagement looker. The painting is like a movie close-up. The painting focuses on the main ideas and removes all the others for example the theme is black to display sadness, anger or dull mood while at the same time preventing anything else in the periphery from being seen since the most important thing is the three people who are holding the platter on which the head is placed and the head itself. Salome feels bad about it and she wishes that could not have happened. The woman is contemplating and the executioner is also sympathizing with the families lost.
It is a religious painting and it is located in UK. It uses Baroque and Tenebrism painting styles and it is in the public domain. The art has a greater power and it is dark because there is no possibility of coming out of it or redemption. Michelangelo Merisi da Caravaggi’s main stylistic movement connection and relation is that he was a baroque kind of artist.
The Beheading of Saint John the Baptist
Artist: Giovanni di Paolo
This art is made by Artist named as Caravaggio Medium. It is Oil painting on canvas type of art and it is currently located in St. John’s Co-Cathedral, Valletta. This work is written along other narrative series of twelve panels written by the same author. The manner in which the scenes are selected, the architecture, light delicate manner of presentation makes the art ones of the best kind of arts. The medium used for this kind of writing is Tempera on panel. This is a type of gothic decorative painting since it was what the painter was much into. He also did art work in the field of scientific naturalism and classical humanism.
These two works of art are different in that both are written by different painters and artists who have their own way of making sure that they present their ideas in the best manner possible. They are also different in that, even though talking about the same thing the stages are different. In the first piece of art the beheading has already taken place while in the second one the be-heading is taking place at that particular time.
Works Cited
Shedd, Nathan L. The Beheading of John the Baptist in the First Three Centuries: Memory, Violence, and Reception. Diss. St Mary’s University/Liverpool Hope University, 2019.
Shedd, Nathan L. The Beheading of John the Baptist in the First Three Centuries: Memory, Violence, and Reception. Diss. St Mary’s University/Liverpool Hope University, 2019.
Literacy Acquisition
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Literacy Acquisition
Social constructions and the influence that society and attitudes, as well as beliefs and approaches individuals gain within their social contexts usually significantly influence their ability to acquire new information. The influence that patterns of socialization usually have, normally take on the form of affecting the importance one attaches to a given piece of information, their ability to interpret the arising information, as well as their ability to relate this information to information they may already have. The socialization process, according to Heath, is particularly important when it comes to children in their pre-school years. Such children, Heath argues, usually learn a certain culture growing up, as to how they should infer meaning from information, as well as internalizing this information. This therefore, affects the manner with which these children make sense of materials, books or experiences of the real world. As such, children normally follow specific socially established patterns and rules, when it comes to not just verbalizing about, but also taking in what they may need to know about a given written material. Heath’s argument suggests, therefore, that literacy practices differ distinctly from one community to another, as is implied in her descriptions of the practices witnessed in Maintown, Roadville and Trackton.
In Maintown, the author argues that emphasis from a very early age, as early as 6 months, is usually on reading, and less so on writing. Children are in most cases taught from a very tender age to be creative, and to associate with story telling and reading. Characters within a majority of the popular stories are introduced to the children at a very early age, and an association between these characters and real life occurrences made, from these early instances. Right from these tender ages, children are taught to construct knowledge based on explanations and labeling procedures provided during the preschool years of these children. These procedures also incorporate the important aspect of gaining skills that enable children to relate new information, or items to old knowledge through fictionalization and narratives. In the case of Roadville, Heath posits that focus is mostly on the learning of the letters of the alphabet and on reading, without any specific focus being put on how the reading fits into the larger real life context. The main focus is therefore simply ensuring the children gain an early orientation to the written word, without any further emphasis on the application of the knowledge gain. Although the common practices of labeling, explanations, and featuring do exist in the literary practices of Roadville, they are not sufficiently spread throughout the child’s life to ensure they act in a sustained, overlapping and interdependent fashion, as is the case in Maintown. Finally, Heath seems to suggest that the literary practices of Trackton are almost non-existent. Pre-schoolers are therefore, left to their own devices, with most of the time that would have otherwise been allocated to helping children achieve proficiency being allocated and used for social interaction. Students therefore not only fail to gain certain essential skills, but fail completely to gain any of the necessary skills, with the exception of only the most basic of reading styles. Through these three examples, Heath is able to exhaustively demonstrate the integral role that literary practices encouraged by a given cultures usually have on how individuals absorb and interpret knowledge.
Personally, I do recall learning to read and write, in a process that mostly emphasized on the learning of the letters of the alphabet, and how to write and read. In most cases, reading exercises were confined to specific times and within specific contexts in terms of venue. This was quite similar to the practices Heath characterizes with Roadville, where seemingly, the learning simply concentrated around the letters of the alphabet and the acquisition of reading and writing skills, without clear indications as to how those skills would relate to daily life. The learning therefore, simply focused on reading and gaining proficiency in reading and writing using the knowledge gained on the letters of the alphabet, practices such as spelling were routinely practiced in the house, with associations being made between letters of the alphabet and numerous inanimate objects. However, unlike in the literacy practices of Mainstown, the association that was provided was not a sustained one. Further, there were numerous instances in which stories were read unlike in the case of most Roadville families, although the participation and guidance was not as widespread as is the case in Mainstown. Indeed this difference, did serve to negatively impact on my ability to gain, understand and internalize new information when I started school. The culture within which I had grown up, as well as the literary practices within which I grew up, negatively impacted on my ability to gain new information as well as associate it to old information. Further, this lack of encouragement to engage in the abstract and creatively interpret the stories being told, no doubt significantly curtailed my ability to be creative.
Martha Stewart And JC Penney Breach of Contract
Martha Stewart And JC Penney Breach of Contract
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Martha Stewart And JC Penney Breach of Contract
Just like the judge in the New York supreme court, it is true that both Martha Stewart and JC Penney breached the contract they had signed with Macy’s. Even though J.C Penney actions cannot be considered illegal or in any way immoral it is true that he was highly involved in the breaching of the contract. The fact that J.C Penney interfered with the contract in a way that was not wanted makes her liable to some extent to pay Macy’s for the losses or any other damages caused (Staff, T2014). However, as Oing states in Washington post, she did not do that out of malice or anything that was driven by anger or bad decisions and therefore she should not pay anything for the inconveniences caused to Macy’s. therefore, even though Oing has a good point it does not mean that the contract was violated and when a contract is violated and at a point when it reaches the point of court, the people responsible should be placed in a place to carry the burden of their mistakes.
Martha Stewart and JC Penney got into a partnership and violated the partnership they had with J.C Penney because of the desire to make more (Alawadhi & Mukherjee, 2014). However, they are faced with the challenge of a case court. I would also do the same if I am sure that the results of the court will not be devastating and more than half of the profit, I make will not go towards payment of breaching the contract. Therefore, the best thing to do is to go for profits but at the same time with a counted or highly calculated risk to avoid losing more than one can gain in the business. One of the major ethical issues I would consider is making sure that no one is hurt in the process and even if one is hurt the conflicts to be done away with less involvement of the court.
References
Macy’s and Martha Stewart Living Omnimedia Settle Legal Dispute. (2014). Macy’s, Inc. Retrieved November 8, 2021, from https://www.macysinc.com/news-media/press-releases/detail/467/macys-and-martha-stewart-living-omnimedia-settle-legalNeha Alawadhi,Aurindom Mukherjee. (2014). Macy’s settles with Martha Stewart. In REUTERS. https://www.reuters.com/article/us-marthastewartlivingomnimedia-macys-idUSBREA010G520140102Staff, T. A. G. (2014, June 22). Judge rules JCPenney interfered with Macy’s contract. The American Genius. https://theamericangenius.com/business-news/judge-rules-j-c-penney-interfered-macys-contract/
