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Reasons and objectives for transferring
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Reasons and objectives for transferring
I am a proud member of the shoreline community college. I have successfully completed two years of my educational curriculum making me well versed in the course. I intend to acquire a degree in communication with a major in public relations. There are several advantages that I have received during my stay in shoreline community college. Seeking to transfer is therefore not based on the standards of the school but on the next level of achievement I would like to achieve.
My main aspiration in terms of my career is to become renowned public relations figure. My source of motivation for taking on public relations as a career of choice is driven by my love for self image. Communication involves the transferring messages from of person to another. Using the principles of public relations can help change the negative image of an individual. My current school offers the complete courses required to complete the course successfully. Despite this, I need a school that enhances my talents through the use of extracurricular activities, public relations programs and good references. This along with my good grades will improve my chances getting a place in a successful PR company.
I am one of the beneficiaries of the American educational system due to my transfer from Indonesia. The country offers a wide variety of opportunities which are ideal for my future objectives. My main aim is to open up my own public relations farm in the long run. This can only be achieved if I join a school that is known for its focus on the subject at hand.
Reasons for pursuing an education in public relations
Public relations is one of the branches of the communication educational curriculum. Communication is essential for the growth and sustainability of the country as a whole. There are several careers that a student can obtain through the study of communication. One of the reasons that I choose to study public relations is its impact on the society. Society is significant in that it represents the culture of the entire community. Most of the rules and regulations are determined by the culture we uphold as a community. As individuals we are obliged to act certain away so as to reflect on societal demands. Public relations ensure that people maintain the respect of the general public. Having a good reputation is ideal requirements for the success of public individual, organizations, business and institutions. It is difficult to maintain a consistent stance on an ideology. This may sometimes lead an individual to stray from the required norms and cultural aspects of the society. Some have argued that public relations improve the image of people while hiding their real intentions. This is however not the case in that public relations activities keep the behaviors of the general public in check. This in turn creates a better environment for the development and sustainability of the community. My decision to venture into this industry appeals to my personality and personal qualities. The acquisition of my own company will ensure that I contribute positively to my community. It will also serve as a leeway for the emergence of future public relations protégés. One of the ways that I can make this possible is my enrolment in my new school of choice.
Oxford English dictionary definition, the etymology of the word artificial
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Oxford English dictionary definition, the etymology of the word ‘artificial’
Words are used to construct meaningful sentences known as phrases. The use of a word is essential in any language due to the feelings, emotions and descriptions it relays. Over the years, different words have been prone to change due to the change in different aspects of life. The English language is one of the dialects that are affected by this change. The change of words to different meanings, forms pronunciations is known as peroration. A majority of the words in the English language are subject to this process making them have different meanings as a result. The word “Artificial” is an adjective that is one of the words that showcase the level at which words acquire different meanings. The analysis of the word is thus ideal in that it explains the various forms the word takes when speaking the English language.
The focus of this paper is to provide an analysis of the word artificial. The paper looks at the origin of the word and the changes it has gone through over the years. The paper provides various aspects of the word such as the pronunciation, earlier forms of spellings and the metamorphosis of the word in all aspects. The paper does this through the use of examples to provide a better understanding of the explanations. The paper finally provides a concluding sentence that summarizes the content of the entire paper.
When one thinks of the word artificial, they immediately think of fake, knockoff, cheap and surreal. These definitions are far from the original definition of the word whose meaning has been interfered with over the years. The original meaning of the word artificial is belonging to art. This means that anything artificial has a resemblance to a work of art and is thus classified as an element art. An example of the user of the word in its original forms is “Michaels work is dedicated to that of an artificial subject”. This sentence gives a different meaning to the sentence in that the Michaels work is influenced by artistic elements. Art is creative in nature and determines a high level of creativity. The use of the word was referenced to involving creative forms so as to identify with an artistic feature. This is an example of the word in its obsolete or archaic state. During these stages, the meaning of the word formed a completely different meaning that the one it has in present day. The obsolete meaning does not make sense to a person in this generation making it irrelevant. The adjective is formed from the word artifice and is pronounced as ar-ti-fi-ci-a-lle in the dictionary.
Another obsolete meaning of the word is its role in the determination of time. The word artificial can be used to describe a part of the day. This meaning is different from the first definition and as a result displays the rate of change of the word has undergone. The use of artificial in time is used to describe the change from sunrise to sunset. An example of this word in a sentence is “This is the artificial part of the day that I am most fond of”. The two examples are both pronounced as artificially . This meaning is formed from the word “ artificialis” in the oxford dictionary.
The word began to develop into alternative forms making its meaning change. One of the definitions associated with the word is the lack of originality. During the classical era, people realized the significance of art making it an essential part of life. The society as a result placed emphasis on making imitations of art pieces that were not original. This gave the word a new meaning making it loose the dignity that it once upheld. The word original embodies features such as creativity, innovativeness and unique. All these elements were not distanced from the word artificial in that it acted as an anonym for these words. The word artificial thus acquired a new status meaning lack of originality. An example of the word in a sentence is “Most of the products sold in Dubai are said to be artificial in that they are knockoffs of original products such as Prada and Gucci.
Artificial can be used to describe a by-product of an item. As stated earlier, the word has changed over the year to suite the terms of society. Items that are said to be a mixture or a departure from an original product are artificial in nature in that they defect from the initial aspect. These produces are said to be of lesser value due to the fact that they are not innovative. The adjective therefore seeks to define products that are cheap. An example of this meaning in a sentence is “Polyester can be used to supplement silk as a material due to its artificial quality that makes it cheap” . The word in this case is pronounced as ar-ti-fi-ci-a-le.
Artificial is also used to define items, substances that are not natural. Natural is a word that comes from nature. Natural products are got from a natural source and do not have any additions. Substances that lack a natural aspect are said to be artificial in that they are not real. The adjective is mostly associated with this meaning making it different from the different examples provided in the initial definitions. Pronounced A-rt-ti-fi-cial, the word has thus developed into a meaning that bears a negative perception. People, items or services that are not real are disregarded as items of a lesser value. An example of the word in a sentence is “David’s lacks confidence due to his use of artificial hair to cover his hair loss”. The word is thus associated with man- made or synthesized products making it detach from anything natural.
Like many languages, the English language is developed from the mixture, addition or subtraction of different type of words. Most of these words have been traced to other languages such as Greek, German and Spanish. Despite the fact that English language is derived from other language, it is not often that people associate it with being artificial. The word is thus linked to different meanings which have become part of the English culture,
In conclusion, words are use to express a particular feeling, experience or situation. Different words can be used to describe different meanings. The same words on the other hand can be used to describe different meanings. The English language is has thus developed into a complicated language due to the change in society. The analysis of the word “artificial” acts as an example of some of the words of the English language.
Works cited
Complete definition and history from the Oxford English Dictionary
Odyessy Monomyth
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Odyessy Monomyth
Introduction
According to Joseph Campbell Monomyth stages of a hero, they can be summarized as journeys that involve the mythical spirits that carry the human life forward. S the paper will demonstrate in the life Odysessy, the journey takes the form of ancient Greek heroes such as the Spartans, Perseus, Hercules and the contemporary tales of Star Wars. The Monomyth stages have been used stories and in film productions to described the tales of the ancient heroes. As will be explained in the paper, the main characters have mystical backgrounds such as their parents being a god and a human being. At their birth, they are often unaware of their surrounding and all the danger that looms on their lands, and some live almost an unrecognized lives, insofar they may not be aware of who their parents were. They are reluctant at first to accept that they have a different fate from others until a tragedy strike in their homes, and when summoned to prove their worthiness in an effort to identify those who will lead in the battle, they first have to endure dangerous adventures. During these adventures, the heroes go through treacherous paths such as fighting mythical creatures and the tricks from evil women-who often know their destiny and therefore, attempt to distract them from completing their tests (Campbell 27).
It is at the time when the main characters defeat the dangerous journeys that they are recognized as candidates for the journey. Notably, the Monomyth stages cannot be complete without involving the help from gods. In a summary, the stages become complete when the main character is sent on a final mission, where the gods bless him with weapons with magical powers, and sometimes he has to take other dangerous adventure to acquire the remaining weapons, before he sets for the final mission. After the victory from the battlefield, the hero is praised by his people and bequeathed a beautiful princess to marry. Although there are different stages that have been used in stories and in film productions to describe the lives of the main protagonists, the basic pattern of their adventures revolves around, mystical births, treacherous adventures, magical weapons, temptations to their downfalls, overcoming the thresholds and eventually, victory (Campbell 56).
Odyessy Monomyth
According to Joseph Campbell mmonomyth stages, the hero undergoes seventeen stages in order to complete his quest and which have been summarized into three broad categories. These categories include departure, initiation and return. Under these categories, there are other subcategories which will be identified and discussed below.
Departure
Call to Adventure
At this stage, the protagonist is in a boring situation in which there are obstacles that prevent him from setting off to him people. In some cases, it can be the supernatural powers that prevent him from setting off to his mainland, or he may be held captive by the gods for his wrongful deed in an unknown land. During this stage, the people from his home place experience a lot of problems but unfortunately, he is nowhere to help or rescue them. In the story of Odyesseus, for example, we are let know that he had been held as a sex captive in the island of goddess Kalypso. In additional, the angry sea god, Poseidon, refuses to let him go home. As the story unfolds, we can see the Odyesseus adventure starts as a mere blunders, in an eye catching phenomena that strays him from his path (Lombardo 3).
Refusal of the Call
Often, when the hero is summoned, he refuses to heed the call for many reasons. Some of the reasons include the failure to accept an obligation, s sense of inadequacy, fear, insecurity or any other forms of impediments that may be holding the hero his current circumstances. One of the encounters of Odyessues that we learn could be the part of the reasons he continues to stay in the island is the fear that he might be killed when he gets home on the allegations that he killed King Agamemnon, the brother to Menelaos. It this fun story that raises the question Odyesseus will be killed for the King’s death, and explains as his reason for staying at the island; because of the fear of being killed (Lombardo 10).
Supernatural Aid
As soon as the hero accepts his obligation and commits himself to the quest, he starts receiving magical help, both consciously and unconsciously, and at this point, the present of the supernatural aid becomes known. The supernatural aid normally appears in the form of talisman or artifacts which are intended to help the hero in his later quest. Upon Mt. Olympus where the gods stay, the goddess Athena, asks her father to have mercy on Odyesseus. When Odyesseus sails across the sea in a raft, homesick as he sets off, Poseidon, the god of the seas sends a storm to destroy Odyessues ship. Athena upon seeing Poseidon wrath upon Odyesseus, she intervenes to save him. When Odyessues visits the witch-goddess Circe, he is given a drug called Moly by Hermes, so as to protect him from Circe’s magic.
Crossing the Threshold
Crossing the threshold involves the hero passing from the world he knows, into a world where the limits and the dangers remain unknown. In this adventure, the hero has to fight dangerous battles with spirits and creatures that do not exist in the realms of the human life. After Odyessues and his twelve ships were swerved off course by the storms, they are visited by lethargic Lotus-Eaters, and captured by Cyclops Polyphemus while on his island. Polyphemus starts eating Odyessues men. In order to escape, they fools Cyclops by giving him wine so that he could go to sleep, and later, tries to escape when Odyesseus tells Polyphemus of his identity. Unfortunately, Aeolus, the master of the winds, gives Odyesseus a bag containing winds that could swerve him to all directions, except the east west wing that could take the home to Ithaca. While pleading in vain to Aeolus so that he could help him again, the encountered cannibalistic Laestrygonians. When he sails to the witch-goddess Circe, she turns them into swine after they are fed with wine and cheese (Lombardo 140).
Belly of the Whale
At this stage, the hero accepts to be separated from his known world and the self. When the hero is in this stage, he reveals his willingness to change. Guided by Circe’s instructions, Odyesseus summons the spirits of Tiresias to advise him. Later, he learns through the spirit of his mother, who had died during his long absence, that there is a plan to overthrow him in his household by the greedy Penelopes suitors. It is at his point that Odyesseus decided to return to his household and challenge the traitors. He also awakens from temptations of Circe’s love affection and decides to reclaim his wife (Lombardo 160).
Initiation
The Roads of Trails
The road of trails included the numerous tasks, tests and ordeal that the hero has to encounter in order to complete his metamorphosis or the transformation. During this stage, the hero often fails one or several of these tests, which are presented in threes. The witch goddess Circe is an example of a test that Odyesseus faces when he is making a resolution to return home to his wife. Circe turns his men into swine as a test to prevent him from leaving. Inclined with her love for Odyessues and the jealous to precede his wife, she tries to drug him with the Moly drug. Eventually, Odyesseus passes the test by remaining persistence in his love for his wife and does not fallen into temptations. Because of her love for him, Circe accepts to free him (Lombardo 165).
Meeting with the Goddess
The stage is important because love that is described to have the power and the significance that is above the all-powerful. The love is often unconditional and encompassing like the one an infant may experience with his or her mother. The meeting with the goddess stage has been considered to be the most important step in the transformation of the hero since it is at this stage that he finds the woman that he truly loves. Form Odyesseus story, he realizes that he had an unconditional love for his wife, Penelope and his son, Telemachus (Lombardo 170).
Woman of Temptress
At this stage, the heroes normally encounter temptations which are usually in physical or pleasurable forms, so that they may abandon their quests. The temptations may not necessarily be represented by women; instead, in the encounters of the hero knight who faces spiritual journey, a woman can be a metaphor representing the pleasures that should obstruct his from his mission. The metaphor hold true in Odyesseus tale. When they landed on the Island of Thrinacia, the Odyessues men ignore the warning from Circe and Tiresias and they are obstructed by their temptation to hunt the sacred cattle of Helios, the sun god. Helios tells Zeus, the god of all gods, to punish Odyesseus and his men, or else, he would shine the sun in the underworld. Taking Helios’ demands, Zeus caused a shipwreck during the thunderstorm that left the men drowning (Lombardo 210).
Atonement with the father
In this stage, the hero must be confronted or initiated by a figure that holds the ultimate power in his life. In many mythical stories, this is often the father, or a father figure who possesses the power of life and death. Despite this step have been associated with the encounter with a male, it does not necessarily have to be men. In Odyesseus tale, Athena, who is a goddess that has the ultimate power of life and death, disguises him as an old beggar so that he can learn how things have been going on at his house (Lombardo 216).
Apotheosis
At this stage, the protagonist may die physically, live in spirit or die in self, or beyond the views of the opposites into a state of love, compassion, knowledge and bliss. A more critical way of looking at his is that time when the hero is in peace or fulfillment before the return. For instance, Odyesseus who is still a beggar endures insults hurled against him from his suitors. He knows that in his disguised form, he is in peace and having an opportunity to learn everything before he reveals his true identity (Lombardo 217).
The Ultimate Boon
At this stage, the hero completes his quest. It is the stage where what he went to get is revealed. Penelope organizes an archery contest for whoever wins; she promises that he would marry her. All except Odyesseus win the contest and reclaims his household (Lombardo 220).
Return
Refusal of the Return
Having experienced the adventures, the enlightenment and bliss from the other world, the hero may not want to accept the new world and restore the benefits onto his fellow men. Odyesseus still shares the memories of his romantic adventure with the witch goddess Circe, the thoughts of the island they were trapped are still fresh in his mind. He had not completely accepted that he was home (Lombardo 230).
The Magic Flight
Sometime the hero returns home with boon from the adventurous world, which had been jealously guarded god. In Odyessues story, there is no clear indication of an object he obtained from the gods and which he still possesses when he return home (Lombardo 233).
Rescue from Without
Same way the hero requires assistants and guided during his quest, he also requires rescuers to bring them back to everyday life. Odyesseus congratulates the men who fought by his side and promises to work with them and earn a normal living (Lombardo 240).
Crossing of the Return Threshold
The stage involves returning with a new wisdom from the adventure, and the trick to integrate in the everyday life. Odyesseus manages to do this by revelaing to his wife that despite his estranged adventures, he remembers little details such as his bed could not be moved since one of its legs were from a live olive tree (Lombardo 300).
Master of Two Worlds
The stage involve being able to balance the spiritual world and the real world. Odyesseus finally lives in peace by devoting himself to work as a famer since it gave him the opportunity to have the inner peace and unconditional love to be with his family (Lombardo 310).
Freedom to Live
The person lives without the fear that he can die. In this stage, the person is considered to be living at the moment, neither referring to the future nor the past. Odyesseus lives happily by acknowledging that his love for his wife was the most important thing (Lombardo 350).
Conclusion
In can be seen that Joseph Campbell stages of monomyth depict a heroic story where the main characters encounter magic, evil, treachery, entrapments, tests, temptations finally the victory of their quests. In all these stages, the hero portray bravely or strength.
Works Cited
Campbell, Joseph. The Hero with a Thousand Faces. California: New World Library, 2008.
Print.
Lombardo, Homer Stanley. Odyssey. Indiana: Hackett Publishing, 2000. Print.